In penning this review, the primacy of Israel in North America’s hegemonic cultural circles limits my expectation of a sympathetic Western readership. The recent furor in Israeli government circles over the public broadcasting of Mahmoud Darwish’s poem is only a warning signal. Thugs and war criminals take on the mantel of literary critics to attack Palestine’s national poet and ascribe to him their own internalized fascist values. Judging from experience the malicious smear is bound to gain traction in Zionist-aligned literary circles at home and abroad. Our lead Palestinian politician in Israel, Ayman Odeh, explains well the Israeli officials’ fear: “If we were to know and acknowledge each other’s culture we may finally want to live together,” [al-Ittihad, July 21, 2016.] Continue reading
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